Why
Once our business was done, we started
talking bikes. The topic of tire pressure came up. He told me he
pumps his 23mm’s to 125 psi. I think I winced — the result of hours studying Jan Heine’s articles
in Bicycle Quarterly and Grant
Petersen’s Just Ride, etc. He asked
me what I ran. “Forty-five to fifty,” I said. He looked confused, lacking the first-hand experience to factor that low number into his sense of what a bike tire (his touchstone being a 23mm) requires to perform well. (On my
Hilsen are 35mm flat-proof Continentals.) I said a few things about the
myth of high-pressure/narrow tires/speed but stopped because I could see I wasn’t getting
through. Nothing new.
He wondered why I ride the Hilsen rather than my ti Litespeed Ardennes, which, though sweet and fine, I rarely use anymore.
“Comfort,” I said. “It’s so amazingly comfortable with the wide tires and low pressure, the leather saddle [something else to which he couldn’t relate], the 650B frame.”
“Comfort,” I said. “It’s so amazingly comfortable with the wide tires and low pressure, the leather saddle [something else to which he couldn’t relate], the 650B frame.”
So he’s comfortable on his carbon Specialized — he told me as much — and I’m comfortable on my ten-pound-heavier steel Rivendell.
What I forgot to say, what I should have said, is, “Plus I get to
look at this.”
If I can’t explain the physics of comfort, how can I explain the
aesthetic pleasure felt when looking down?
That silver quill stem, the Nitto handlebars, the Rivendell blue paint, the lugs and the lugwork, the twine-wrap, the fenders.
That's why too.
Roadysseus
8.14.17
Comments
Post a Comment